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Review: Brief Encounter at Theatre Royal, Newcastle

IT could have gone horribly wrong. You tinker with an old favourite at your peril, and David Lean’s 1945 film, based on a short play by Noel Coward and capturing a bygone era of steam trains, afternoon teas and stiff upper lips, is a much-loved classic.

Here, it’s down to Hannah Yelland and Milo Twomey to fly the flag for decency as housewife Laura and doctor Alec, who fall in love after meeting in a station buffet room but are determined to do the right thing.

Kneehigh Theatre, under director Emma Rice, treads just carefully enough with the gentle romance – Yelland’s beautifully-judged performance is particularly likely to please the purists – to deliver a blowsy, bizarre and, at times, brilliant affair – melding theatre and film; upbeat Coward songs with the Rachmaninov piano concerto; and reality with fantasy. The restrained middle class lovers fit like jigsaw pieces into a 40s-style setting beautifully realised by North East designer Neil Murray.

A decision to bring to the fore two peripheral couples – the buffet room manageress and guard (Annette McLaughlin and Joseph Alessi); and staff Beryl (Beverly Rudd) and Stanley (local actor Christopher Price) – adds good old working class banter.

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